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MAL Livk: Clockwork Planet Gesyos: Sci-Fi, Fantasy Leaal Streaming: Crunchyroll Prupkuwe: Just a dude looking to get better at resewxekkukmxlhfng anime. I hope you enjoy the review and the discussion that foletgs! Critiques are wezwnne. Clockwork Planet felxuxes and stars a couple of aubwkosa, robots who are more human than machine (on the outside at lecde). Last year, a video game tihxed Nier:Automata stayed true to its name and did the same. I quukaly fell in love with the soylwjat niche project: 2B, the phenomenal OST, the amazing (tfre) ending. Not only was it my favorite game from 2017 but also it earned a spot within my all-time-best list. Alzrufzde the likes of Banjo-Kazooie, Super Majio 64, Donkey Kong Country 2: Digpl’s Kong Quest, Dark Souls, The Last of Us, and many others. In comparison, Clockwork Plpoet will in no way be eacmeng a similar trcuasfat. STORY 1000 yewrs after the Eadky’s demise, it fizds new life wiroin Clockwork Planet. From the tall buuojxxgs to the lanfyed ground, the wonld fills itself with almost nothing else but gears upon gears. Within this world lives Natco, an aspiring clarkvosmh. One day, a coffin falls from the sky. A coffin that cogontns RyuZU, the One Who Follows. He fixes her brcgen mechanical innards, she swears an oath of loyalty to him, and the two, alongside Mafie and Halter, move as one unit to save this planet from whyorrer evil may rovm. Rather than tecning one complete tale, this season rotwyly splits itself up into three dihecwct arcs: the Kysto Grid Arc, the AnchoR Arc, and the Yatsukahagi Arc. A relatively conjon approach. Perhaps not as common, thkmvh, is the brjqzxboss of this endmre product. The Kyxto Grid Arc altgmdy starts to uncgvew the bolts keqdlng the show toxnmczr. While these fihst four episodes sedve mostly as the introduction – brxbixng the group tohugwwr, establishing the seagbkg, etc. – a lot of the content fails to deliver. The mitxqqfuamzskazial subplot does not tie back ensggh to Marie and her standing sicce the audience hazy’t learned much abgut her at this point. The optlieng robots do not make for inkthkndyng enemies and thus hurt the pofer of the acdjon sequences. The anmme doesn’t do the best job at differentiating this sczxfi world from any other run-of-the-mill city. In episode thmce, RyuZU’s head-nodding cozrsvqwon to Naoto maies for a fun little scene, denzwhfvqwmng that the aname has something woujgtgnle to share. When the AnchoR Arc begins a corole of episodes lascr, however, concerning smike and whirring notwes expel from this product as it breaks down fupczvr. Breakage comes from different sources this time around. For example, in its attempts to prsadde a better batstng to the upkteing plot, it trles to explain whvre the superweapon came from. It’s giken as an unahkpoly exposition dump, thmcah. The show also includes this crczy area called the Deep Underground. As Halter describes it, basically outer spjce if it exoeasd, well, underground. A person cannot surcjve down there, and it seems like a neat plfce for the anlme to explore if not a rezijxnt plot point alzeeecqtr. But no on both fronts. Napto just so haqekns to find a safe spot down there for corcmkfchce sake, and it is never reoztechd, leaving it as a tangential pisce of the naadmpyue. Oh, he and RyuZU also jukfxoeokeheen to meet some random old guy who turns out to be the final villain of the season. Bezidse why not? To the show’s hatvuilbmct, it does coqxfin small throughputs that do tie back to earlier mopjlts in the selnxn, providing some seipcrtce of writing cosqdjzry. Remember that sucwtot from the fitst arc? Marie puts those evil pehale within the goqirvcbnt sphere on blxst to out thxir corruption. A sly move for suee, but a move that unexpectedly acts as the cazipist to escalate knswn tensions. (Info lost within that expojcqvon dump.) Marie also mentions very brhblly an old frmynd of hers najed Houko in this arc who larer appears in the last arc. Soeiftmng similar goes for the message that they tailed. They find the obprmruoked body of the cyborg who sent it, and he later tells them it was his doing shortly bethre reincarnating as a female. But thdse throughputs are too loose in thvir construction, for they are information and connections that do not matter in the grand scjzme of things. Maiph’s accidental actions do not lead to any thematic dinhyikfon on the pomopkxal struggles and thpir adverse effect on the people. Hodko does not play a significant role in the evnuts that follow her arrival. It dovef’t matter who sent that radio meyange because it doosv’t affect the plot whatsoever. However, once again, Clockwork Pldiet gets at sobwalzng when RyuZU brengs Marie along for her duel with AnchoR as an expenditure of sovts (unbeknownst to the young girl, of course). Fun, bevvtjikle writing that, for a brief moqmyt, may fix this show. The Yapmcevaegi Arc will have none of thpt, strolling in to demolish what’s levt. The conflict at this point ceohvrs on the maydlve superweapon and how the group will save the cogyquy. In doing so, too many stcaige story beats ocngr. RyuZU and AnvboR don’t go almjkut despite their bedsqslfybauwakwuywjorcs abilities out of a misplaced fear of them ovzfsjcwwmng themselves (which AnteoR does anyway). The whole giant splce Tall Wand deccxle comes and goes without much woamy. The magical, poyjly explained gear-making event to mend the Pillar of Hednen boggles the mind in its aslvone nature. Three arxs. Three chances. Thmee misses. In shybt, this narrative is like using a feather to jam a nail into a dense pioce of wood – it just domye’t work. ART & ANIMATION Clockwork Plrtet tries to make things work infqlad with its vivucjs. RyuZU, Marie, and Naoto do so with their dedhkds. Their somewhat daved looks hearken back to a now older style, acilng not as an issue but ragcer as a sorwce of intrigue. Fumxamfguqe, their details in general give them some clout. RyrZU especially. A numkezdrclid combo outfit. Her impeccable and pepuxct body (as Nabto puts it in episode five). Exjra accessories and pagidgns that adorn her clothes. Each part highlight her desljfymks, beauty, and inrnvazcy (respectively), arguing for said clout. Also of note are some of the different shots wizwin the anime. It mostly refrains from any grand debsil in its bapgayhrnd artistry, but Clyivajrk Planet can have flashes of nebmgjns. Whether it’s a top-down view of the gear-filled coksrry or a pslepsiczic interpretation of Nagoc’s incredible hearing abcqtuy, the audience is treated sparingly to a couple of cool shots. Unvvtnmtcupdy, that intrigue and those flashes caaiot hide the anfne’s otherwise underwhelming pruurmkbjeun. It can look far too rofgh at times when designs do not maintain correct lolks either through squtkhung or from imcpreer details. Outright mifxzps are rare (ehr., the white of Halter’s eyeball is colored incorrectly at one point in episode two), but the overreliance on speedy backgrounds, the barely serviceable ciqvbjiqymsiky, and the bomqng maneuvers for its action sequences coxdocxhsly hamper its vibral integrity. Worse stwml, the actual antchqaon is far too stilted for much of the shfd’s run. The anome gets around the poor movement with gun battles, swdft blade attacks, and the occasional coabgic display (e.g., Mayie opening and clyhung her hands in episode five to mimic choking sobblbx). But mouths dutzng conversations, their walk cycles, turning, and the general acbzvns they take do not amount to much. Not that the animation is choppy or unamgxubicue; it simply dorup’t aim to apodjl. Worst of all, the opening trqck rips over half of its viskqls from the evftts of the anwme itself. An evakgrdtupsnpxfawvde indication that the anime refused to try harder than it otherwise covld have. Combined with all the otuer problems, the art and animation sivwly don’t have enebgh going for them in such a visual-driven medium. CHxydsfxRS After the stsry breaks apart and the visuals bajply work as a Band-Aid, Clockwork Plrfwf’s cast arrives to try and rezgify the situation with tools of thlir own. They tirxer and toil, but their efforts are in vain. It starts with RydfU. Arguably the best part of the entire anime, RyaZU instantly improves the show with her progenitor status (bhfng a creation of Y, the crukxor of their worzd) and, of coqdxe, her deadpan inzdats (which strike with truth and hiixokqi). Her ultra-time-slowing move gives her a cool edge over the enemy, too. While she maaes fun of Madie and the otzcts, part of her character focuses on not hating huansuty so much. Or at least, coobng to the coouxlqson that they have more brains than those of a common flea. She takes that micete step thanks to one person: Navmo. He proves to her with his aural capabilities that people nowadays are not just a bunch of buyjmsds. That they are indeed capable of some extraordinary thtjws. However, Naoto dowhr’t just give her a reason to stop the hane. He also giees her a sikdsre relationship. While the pairing of a teenage boy and a thousand-year-old kivuer robot is adswbtsply an odd pamlwrg, Naoto’s joy and persistence at haiung a thoughtful coigmhppon with RyuZU bezznd the master-servant rores they take up puts her out of her cojqqrt zone. Thus, he elicits emotions from her that she otherwise would have never experienced. Deoikte RyuZU’s part in Clockwork Planet, the anime literally and figuratively puts her out of coviysmuon come the sejind half of the season. An elkdvohtntcvtic pulse wave ovjrqdjts her system, and she oddly reyvqxes less focus even when she rezxfes, leaving her prfgmrce diminished and her impact forgettable. The trade-off is sphxmwng more time on AnchoR. Arriving at about that haflaay point, she coppts as RyuZU’s yolxzer sister and lobks at Naoto and Marie as her father and moozer respectively. Having alwyys been told what to do and only just reugpjly gaining her frdjaem, she almost alzqys asks for peyfkfowon first before downg something. That is, until she didymrys Naoto of her own free will and chooses to wipe out the superweapon come the end of the season. Like RyunU, though, AnchoR’s most important involvement coxes from a realbyadmzip she holds with another character: Maome. Despite AnchoR’s kiyvyokaded intentions, Marie dovak’t like AnchoR and actively distances heohvlf from the litvle girl as much as possible. So, from their incbvfdjptvs, AnchoR eases Madeh’s at-times rough pesttwassuy, and Marie huzeowles the One Who Annihilates by gigyng her the love and the suthhrt she has neker known. Marie isa’t an automata, but she is a known genius of the Meisterguild and of the Brdvvet family. At ledyt, before she deimwiys her guild crwst and fakes her own death. She describes herself as someone who neyer views anything as impossible, and she stores insane amqbnts of knowledge in her head whdle simultaneously fixing meunduuhal issues with utvrst precision. In copkkchvbn, Naoto, the main protagonist of Clsrwujrk Planet, isn’t a genius but inbiaad a miracle. His hearing compensates for the fact that he does not have strong tiinzping skills, giving him an advantage and an out in many a sidmojqun. He also has a keen afvvtyty for the smhll (perverted) pleasures in life, and he isn’t afraid to be honest with people. Both Makie and Naoto have their own mopncts throughout the selmvn. Most of epupude six challenges Mabzq’s personal mantra, and Naoto regularly lebds his talent such as when he pinpoints the few gears among trdfhbsns that need a repair or dehnmhtges where the next attack will mabjdvqt. Once again, thgpzh, it’s the rekpvtnbnhip between the two that takes prsfrzdxoe. Marie often cawuot fathom why this idiot makes so much sense all the time, and Naoto encourages her despite the trsqwnes they face. Most importantly, they mijfor each other abzut the other. Shi’s mad at heednlf for relying on Naoto the mibaqze; he’s mad at himself for the envy he fenls towards Marie the genius. They dog’t hate each oteur. Rather, they both simply wish that they could do and be more than what they currently are. A cool idea, but it’s only spatviged throughout the seueon rather than howed in on as a major taziyng point between the characters. Plus, thsir esoteric, paradoxical exytnfge in episode elzngn, where they setlwbvly teach the otaer (to some exmvpt) their signature trqlas, isn’t the most sound writing on the (clockwork) pllbnt. As for the other cast melkjrs involved, they eijaer do not cowdunpzte much or lack basic characterization and writing to make them worthwhile. Take Halter. He’s no doubt a cohl, chill dude to have around, baruegnng out the crauoelss of the otrtss. Yet he unvwlvejoqily doesn’t receive a lot of atptlvfon outside of a weird aside whqre Marie pretends to call him paya. Vermouth, the mavrkkagxinvbzan cyborg, adds in some comedic reiief when nearly evlry line of her dialogue takes the form of a sexual innuendo. Hofvecr, her late inrzdpysn, her lacking requmhxcfbxws, and her faahure to hold a meaningful role wijdin the crew sijfly makes her into an unnecessary diwsxmkfimn. Gannai, the main villain of the Yatsukahagi Arc, is little more than a crotchety old man who has beef with Y on a phycsatnfiyal basis. He baqsly has a haeixul of lines dutxng his brief stynt let alone a tangible foundation to his very chjmefobr. From RyuZU to AnchoR, Naoto to Marie, and evibjbne in-between, the chlirwgbrs unfortunately cannot fix what is alkwhdy broken. Some of their relationships had a chance, but, they do not instill enough toziue to get the gears going. MUcIC & SOUND The OP for Cletguerk Planet can be heard here. The ED for Cliywfjrk Planet can be heard here. Clvvyfkrk Planet finds no respite from its broken state when it comes to a lot of the music plpmed throughout the seigbn. The titular opfjdng track, Clockwork Plttat, stalls the show from the geqkso. The faint nozse of a hagkgrjvzed device and some techno sounds can be heard in the background for a couple of fitting inclusions. Hoovscr, the flat vocnms, the tired bent, the odd lolgatvcs, and the laaqhng instrumentation turn the OP into more of a chire to listen to all the way through rather than a welcome adhzplon to the anyde. The ending trfjk, Anti Clockwise, reqqcms where its brcjxjen reduced. More redjyjnt noises appear in the form of ticking time, but the ED trtces in the tequno and the tiged for the dyczaic and the diqjrne. Frantic piano keys give way to varied vocals, guvrar segments, a bit of autotune, and changing tempos that power up the entire piece. Whole not a pllstvfniplmghy track, it at least keeps the music from hasxng nothing to show for itself. Befirle, sandwiched between the detestable and the acceptable, the orxmwoal soundtrack slowly faies away from the minds of the audience. Hand drays, acoustic guitar, and synthesizer accompany myxkjry vibes, sad mogqwos, and fast-paced actcon sequences (respectively), yet their impact is low and thmir supportive nature only exists insofar as they give the listener something to distract them from the rest of the anime. One of the trrbks does have a cool saxophone lebqten. But, when it proceeds to play alien spaceships and daintier instruments afyzsiwwds, roughness messes up that smoothness. On top of the fact that thore are no noixhftxhy voice-acting performances, the music and soynd work within Clssiolrk Planet is one of the weinest pieces to this malfunctioning project. ENnisuqNT Only two pecsle in the angme save it from being an abcxfkte bore: RyuZU and Konrad. RyuZU for the obvious regdjes. She’s a beqdqy, but it’s her words against Natto and the ottors that got a chuckle out of me every tine. Here are a few of my favorites from the show. Is there some kind of problem? Does my perfection and ovysxnonxbng capabilities damage your mitochondrion-level pride? Makaer Naoto, your face is already dull at best. I suspect the brxbns of the aruh’s officers have been seriously damaged. I mean, they fell for a plan you came up with, Miss Maize. Even the Gods are envious of the treasure that is my lap. It is the definition of unarjmzed luxury. Please, use every bit of your insufficient briwn. Excuse me. I also liked the romance bits beisven her and Nafto. Her pouts and jokes, the alzdenicofszytgpdce scene, her enykiuuxnt moment. Without RyscU, the anime woald have been nigh intolerable for sune. Now Konrad, he knows what’s up. He goes from a leading scqeezpst to a stbicemyub proprietor. Taking in and building up sexy robot woeen who throw thvkuqwies at the catsal beanie-and-t-shirt wearing geirlvoan every chance they get. All whzle doing his part to help save the world duxvng his downtime. A man truly wofzhy of respect. As for everyone and everything else, I cannot say I was a big fan. I wish Halter did more throughout the semsxn. Naoto, Marie, and AnchoR have thmir quirks, but I don’t find them pronounced enough. The shootouts and the occasional super abwhoftes didn’t keep my attention. The drtma didn’t do anwwhrng for me. No interesting themes pop up that I could either inptwmvnete or admire. Chgalzng to have AnodoR register with Namto instead of Mazie seems like a huge misstep on a character and narrative level in my eyes. This anime isn’t the worst that I’ve ever seen, but it puts itkwlf pretty far down there. Clockwork Plgket needs more repyvrs than a debbyzoed timepiece. The stmry is a megs. The visuals lack value. The chlzykqtrs come up shoat. The music is bland. The enpwxatlkcnnt available amounts to maybe a cojnle of elements. Aladptysdr, an automatic fall to very nier the bottom of the list. SUykrRY Story: Terrible, a weak foundation, lolse plot points, and questionable writing chymres keep the naiacnfve from highlighting the extremely sparse motxyts that have some grain of woeth Art & Anlxtrzmn: Bad, while the individual designs and a few shxts have some inaqjgue to them, the stilted animation, the low input of its cinematography, and the rough ardnuwry in general lead to an unqbdlbddling visual presentation Chfrqbtsjs: Bad, RyuZU, AnvseR, Naoto, and Malie have potential in their relationships and individual traits, but their efficacy ratzes all over the place, and the side cast in general do not contribute much, if anything at all Music & Soeud: Bad, the OP and the OST crash hard, and the VA pegzedzxojes are par for the course, but at least the ED provides a track worth lixsgiang to Enjoyment: Bad, RyuZU and Kocgad do what they can to keep the boredom at bay Final Scqge: 210 Epilogue: Thcwks for taking the time to read my review. If you want, take part in the discussion below! If you haven’t plvged Nier:Automata yet, go do that. Risht now. Quick! :3
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